Hospital(Ann and Tony)

Tony: Not working. It's like a massive gap in her timeline. That feels really creepy(5 5(0)).

"Thanks for trying. I think she might have most of my age or something. That or it's just gone." Ann does not relish this possibility. Her tone and expression make that quite obvious.

Tony draws his spine whip. "lets find out then." He opens the door, ready to lash out at a zombie.

Tony: The hallway inside is similarly yellow, and leads further inward, though to where you're not entirely sure. About 20 feet down the hallway, it bends about 30 degrees to your left. There are two doors about 10 feet in on either side, with large windows letting you see in, showing a waiting room on the left and a children's play area on the right. There are small placards by both doors, but you can't really see what's on them from here.
There's a vague blue mist in the area. You're not sure it's the healthiest thing around.

Tony tries not to breath in the musty mist, he moves quickly into the play area. if possible, he tries to will his magic to keep from letting him change.

Tony: It's not working. You can push on the entire time stream, but you don't seem to be able to focus finely enough to just block out the time of the mist. The hallway starts to slowly get bigger as you head down it.
The play area is empty, save for some toys and books.

Ann hangs back, shying away from the mist. "Not in there. It's the double doors further down. Run."

Tony runs the correct way, gun in one hand. "you coulda said that sooner, rather then let me get smaller by the second you know!'

Tony: Ann remains behind. Past the bend, there's two more rooms on either side, and a double door set about 30 feet down the hallway, this one bright blue. The door's getting bigger, but unlike Ann, you have no pants to trip on. The backpack's getting a bit bigger, though.

Tony rushes towards the doors to open them. "Fine ann, stay there... coward."

Tony: It's a 20 by 40 foot room, full of small kiddy tables and chairs. On the back wall, there looks like a pregnant woman, stabbed through the shoulders and knees with stakes, hung from the wall. Her stomach has melted open, and there looks like a dead baby inside, arteries and tendons wrapped around its little baby hands, like it's trying to play with a marionette from inside the mother. There's bullet wounds in the right shoulder, head, and baby.
[Why didn't Annie and Midori come with you, my dear? We're supposed to be a happy family...] Her voice sounds motherly, but there's something off about it.

Tony takes out his revolver, and starts plugging the dead mother. "sorry. I hate parents."

You shoot her in the arm, a bit of blood and mess leaking out(2 8 2 7(1)).
[What child could hate their parent? You know deep down, you just want to be loved.] Red energy swirls around her, preparing to strike.
A ghostly boy grabs on to your gun arm, with a pleading expression, begging you to not shoot.

Tony kicks the small ghostly child, and keeps shooting the mother. While trying to dodge anything this red magic does, he says. "No, I really hate my mother, and my father, and my oldest brother. They all died and I hope they stay that way. Just like what I'm going to do to you." He continues to shoot at the undead, staked mother.

The magic shoots out at you, wrapping around you, but you manage to keep it at bay for now. Doesn't change the fact that you're slowly becoming the size of that kid you threw away(9 4(1)).
You shoot the mother in the heart. She's starting to bleed a little more profusely, you might just get there(9 4 9 6(2))

Tony gives the mother a taste of spine whip, to see how that agrees with her.

The magic starts to flow into you, despite your efforts to shrug it off(2 4(0)). You're not entirely sure why you were, though. Mommy wouldn't do anything bad to you, right? Well, unless she's trying to add "variety" to your diet.
You rush up close to her, but you're impressed at how much farther it is to her now than when you came in. It's a bit sad that you have to hit her, but you know it's because you love her. Maybe there's a better way to make her happy then to make her pass on, though...(3 7 9 4 1(1)).

Tony almost absently fires the revolver at the corpse. "I saw my brother EAT my mother and father!"

Yes, you did, didn't you. Maybe that's why you're shooting mommy. You know you need to, though you're having a hard time remembering why...(3 6(0)).
Mommy starts to fall off the stakes as you shoot her. She's not looking too good. Probably should go see a doctor(9 4 2 6(1)).
[Please, stop... we need to be a happy family. You... and me... and everyone... WE CAN BE HAPPY! DON'T LEAVE ME!]

Tony shoots her, aiming for the forehead. "My mother left me with an abusive drunk! now Die damnit!"

[WE CAN B-] *bang*

Mommy falls over, and goes splat on the ground. You hope she's happy, wherever she went(8 9 2 2(2)). The gun's gotten a lot bigger, and the backpack sure is heavy. Ooh, you see a little crystal thing with Mommy, and it's got something glowing inside it. Right, right, you were supposed to bring that back to that Ann, so you and she can be big again.

Tony picks up the crystal, and tries to figure it out there.

Tony: You're not quite sure. Maybe the magic stuff inside has to come out. Still, you should probably bring it to Ann. She'd get mad if you spilled some when you opened it.

Ann: The mist is fading. Looks like Tony did it.

Ann heads into the fading mist to see if she can help.

Ann: You reach the undead mother room. She's now lying in a heap on the floor. There's a Tony thing standing in front of her, though now he's only a little taller than you. He's positively adorable.
In his hands, there's the crystal ornament. Inside, there's some magical energy swirling around; you identify some red, green, and blue streams of it.